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The ARRI Anamorphic 19-36mm T4.2 Ultra-Wide Zoom Lens provides theatrical cinema pipelines with an advanced widescreen capture solution for Super35 sensor setups. Digital operators utilize the unique 2x horizontal squeeze ratio to render classic cinematic scope directly onto modern digital plates. Integrated electronic communication tracking registers critical optical metrics onto production monitors in real time. The heavy duty PL mount ensures stable physical alignment on industrial camera frames.
- Anamorphic squeeze delivers classic widescreen aesthetics
- Lens data metadata transmits core metrics electronically
- Spanning wide focal lengths covers large spaces
- Imperial markings guide field focus pulling accurately
- Minimum focus captures details from two feet
The Fujinon 75-400mm T2.8-3.8 Premier PL Zoom Lens yields extreme long-range focal versatility for high-end broadcast setups and Super35 feature tracking. Cinema production teams deploy this massive telephoto zoom to capture far-away subjects with superior contrast and edge-to-edge uniformity. The mechanical barrel architecture ensures flat field geometric stability across the entire tracking range without focus drift.
- Broad zoom range handles remote telephoto tracking
- Fast T2.8 transmission maximizes light capture
- Robust physical build supports heavy production sets
- Focus arrays track from six feet away
- Precision optics prevent linear color fringing entirely
The Canon CINE-SERVO 50-1000mm T5.0-8.9 with EF Mount lens delivers uncompromised telephoto magnification for documentary fields and wildlife tracking systems. Broadcast operators exploit the massive focal expansion to frame incredibly distant assets without swapping lenses or altering base camera alignments. An eleven-blade circular iris layout provides smooth out-of-focus background rendering under harsh exterior sunlight.
- Massive telephoto zoom reaches thousand millimeter limits
- Eleven diaphragm blades produce circular bokeh rings
- Native EF mount locks with camera electronics
- Minimum focus reaches targets at eleven feet
- Advanced servo modules drive rapid focal changes
The Canon CINE-SERVO 50-1000mm T5.0-8.9 with PL Mount lens supplies extreme focal adaptability for industry standard theatrical cinema packages. Technical directors implement this specialized telephoto unit on industrial multi-camera cranes to capture remote action frames safely. The robust PL alignment standard guarantees complete structural rigidity when linked with standard cinema support rigs.
- Immense focal extension covers long range assets
- Eleven rounded blades control highlight shape cleanly
- Professional PL mount ensures rigid camera pairing
- Inner tracking mechanics keep overall balance stable
- Close focus resolves subjects from eleven feet
The ARRI 9.5-18mm T2.9 F Ultra Wide Zoom Lens brings premium expansive framing to high-resolution ARRI Open Gate sensor configurations. Cinema technicians count on the sweeping wide-angle field to track dramatic action inside restrictive vehicle sets or compressed architectural structures. The integrated Lens Data System automatically pushes real-time focus, iris, and zoom calibration metadata to production records.
- Wide T2.9 transmission aids dim environment shoots
- Integrated LDS transmits active lens calibration data
- Open Gate format coverage secures broad angles
- Close focus tracks targets under two feet
- Standard large front diameters fit commercial matteboxes
The Angenieux Optimo Ultra Compact 21-56mm Zoom Lens Full Pack leverages Interchangeable Rear Optics technology to seamlessly adapt between high-resolution Full-Frame VistaVision and Super35 formats.
- Interchangeable rear optics adapt sensor coverage.
- Dual T2.2/T2.9 aperture optimizes exposure.
- Full-frame sensor tracking prevents edge vignetting.
- Native Cooke /i systems stream metadata.
- Dynamic 310-degree barrel enables precise pulls.
The Angenieux Optimo Ultra Compact 37-102mm Zoom Lens Full Pack delivers production-grade multi-format flexibility across Large Format and Ultra35 platforms via configurable interchangeable optics.
- Configurable rear optics switch format setups.
- Premium T2.2 aperture drives low-light capture.
- Color-matched design maintains series visual consistency.
- Internal electronic linkages feed real-time metadata.
- Accurate 310-degree focus rotation facilitates rigging.
The Leitz Cine Zoom 25-75mm Lens (Feet, PL Mount) combines a versatile wide-to-portrait focal span with high-resolution large-format coverage to service demanding cinematic digital sets.
- Constant T2.8 aperture eliminates exposure ramping.
- Wide 46.5mm image circle illuminates sensors.
- Fifteen diaphragm blades generate smooth bokeh.
- Close 0.9-meter focusing permits intimate framing.
- Standard 112mm front threads accommodate filters.
The Leitz Cine Zoom 55-125mm Lens (Feet, PL Mount) expands telephoto capture capabilities for large-format cinema cameras without compromising transmission speed or peripheral frame sharpness.
- Uniform T2.8 speed secures low-light tracking.
- Massive 46.5mm image circle anchors resolution.
- Twenty-one diaphragm blades isolate background elements.
- Calibrated imperial distance scales guide assistants.
- Built-in electronic communication feeds digital streams.
The Cooke 85-215mm Varotal/i Full Frame Zoom Lens (PL Mount, Feet) delivers the legendary organic rendering profile across extended telephoto ranges with integrated digital tracking components.
- Absolute T2.9 exposure speed stabilizes lighting.
- Native /i metadata systems streamline VFX logging.
- Close 1.25-meter boundaries enable macro isolation.
- Nine curved blades construct classic roll-off.
- Robust full-frame coverage matches modern sensors.
The Cooke 30-95mm Varotal/i Full Frame Zoom Lens (PL Mount, Feet) anchors wide-to-portrait production setups with characteristic optical textures and continuous frame monitoring links.
- Secure T2.9 transmission prevents light fluctuations.
- Internal data linkages feed virtual sets.
- Extended 4.10-foot tracking captures expressions cleanly.
- Nine rounded aperture blades produce dimensionality.
- Optimized full frame sizing illuminates sensors.
The Fujinon Premista 28-100mm T2.9 Lens Kit covers large-format image sensors with advanced optical performance, integrating a three-channel Chrosziel drive unit for absolute motorized lens adjustments.
- Large-format 46.3mm image circle optimizes sensor illumination.
- Thirteen diaphragm blades produce smooth background highlights.
- Minimal 0.8-meter focus tracking facilitates close framing.
- Built-in electronic communication feeds digital camera metadata.
- Chrosziel servo motor controls focus and iris.
The ARRI 24-75mm T2.8 Signature Zoom Lens anchors wide-to-portrait focal setups with consistent light transmission across high-resolution large-format digital camera sensor housings.
- Constant T2.8 maximum aperture ensures stable lighting.
- Large-format optical coverage matches modern film sensors.
- Clear 16.2-inch minimum focus allows tight positioning.
- Imperial measurement scale guides traditional camera assistants.
- Native electronic communication feeds precise framing metrics.
The ARRI 45-135mm T2.8 Signature Zoom Lens provides standard telephoto capture ranges for large-format cinema cameras, utilizing specialized electronic connection ports for streaming metadata profiles.
- Constant T2.8 speed aperture eliminates exposure fluctuations.
- Standard 0.8 MOD gears match industry follow-focus.
- Close 656mm front focusing permits detailed tracking.
- Four-pin LEMO data connection transmits metadata streams.
- Native imperial scale guides physical focus pulling.
The Fujinon Premista 19-45mm T2.9 Large-Format Cine Lens delivers wide-angle coverage across a broad image circle, anchoring expansive compositions with clean peripheral illumination.
- Consistent T2.9 maximum aperture stabilizes light transmission.
- Broad 46.3mm image circle covers film sensors.
- Thirteen curved diaphragm blades generate organic highlights.
- Dual metric and imperial scales aid assistants.
- Integrated electronic communication transmits frame metrics.
The ARRI Signature Prime 280mm T2.8 Lens captures distant subjects with advanced telephoto magnification while providing absolute edge resolution over modern large-format digital sensors.
- High-magnification 280mm focal architecture isolates subjects.
- Constant T2.8 aperture ensures stable light gathering.
- Uniform 46.0mm image circle satisfies resolution demands.
- Eleven diaphragm blades deliver smooth background roll-off.
- Calibrated imperial focus witness marks facilitate pulling.
The Angenieux Optimo 45-120mm Lightweight Wide-Angle Zoom Lens features integrated ASU servo control to deliver flexible, run-and-gun mid-range framing capabilities for dedicated Academy 35mm cinema sensor platforms.
- T2.8 maximum aperture ensures stable illumination.
- Academy 35mm coverage illuminates sensor blocks.
- Close 94.5cm focusing permits tight framing.
- Lightweight 4.3-pound housing optimizes handheld operations.
- Integrated ASU servo unit drives motorized focus.
The ARRI 12mm Master Prime Lens provides ultra-wide perspective capture with an exceptionally fast aperture baseline optimized for Super35 and APS-C format digital cinema housings.
- Ultra-fast T1.3 speed aperture handles low-light.
- Super35 format coverage satisfies sensor demands.
- Near 40cm minimum focusing tracks detail.
- Standard 0.8 MOD gearing interfaces motors.
- Internal LDS-1 data connection streams metrics.
The Leitz Cine 350mm T3.6 Prime Lens delivers advanced telephoto reach and high contrast performance across large-format cinema camera platforms requiring native LPL mount configurations.
- Broad 46.5mm image circle covers sensors.
- Twenty-one diaphragm blades isolate background elements.
- Distant 3.0-meter focus tracking frames subjects.
- Built-in 112mm filter threads accommodate accessories.
- T3.6 maximum aperture secures sharp magnification.
The Leitz Cine Prime 18mm Lens captures expansive architectural and narrative wide-angle views with flawless edge illumination over native large-format digital production systems.
- Fast T1.8 speed aperture facilitates low-light.
- Native 46.5mm image circle satisfies resolution.
- Close 35.6cm tracking enables intimate framing.
- Fifteen internal diaphragm blades yield bokeh.
- Uniform 112mm front threads interface filters.