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The Cooke 65mm T2.3 Anamorphic/i Prime Lens (PL Mount) balances transitional portrait framing and authentic two-times widescreen compression, rendering classic painterly textures over Super35 cinematography layouts.
- 65mm Anamorphic focal architecture structures realistic portraits
- True T2.6 open speed stabilizes exposure boundaries
- Constant 2x anamorphic squeeze compresses background fields
- Extreme 0.1m close focus permits macro isolation
- Integrated /i electronic data streams real-time metadata
The ARRI 16mm Master Prime Lens (PL, Feet) captures expansive architectural wide-angle views while securing flawless, distortion-free edge illumination over native professional cinematic camera configurations.
- 16mm Wide-angle focal geometry opens perspectives
- Ultra-fast T1.3 speed aperture handles darkness
- Standard 114mm front diameter simplifies rigging
- Near 0.35m minimum focus tracks proximity
- Internal PL LDS connection streams metadata
The ARRI 100mm Master Prime Lens (PL, Feet) provides tight telephoto spatial compression focusing on absolute subject isolation and background distortion across high-resolution cinematic digital sets.
- 100mm Telephoto focal profile compresses backgrounds
- Ultra-fast T1.3 maximum speed handles darkness
- Standard 114mm front diameter interfaces accessories
- Extended 1m minimum focus captures expressions
- Internal PL LDS hardware feeds metadata
The Sigma FF High-Speed Prime 7-Lens Kit with Case (EF Mount, Meters, Fully Luminous) delivers absolute visual cohesion across seven specialized focal configurations tailored for wide full-frame sensor housings.
- 14-135mm Multi-focal range optimizes creative coverage
- Fast T1.5 maximum aperture resolves darkness
- Broad 43.3mm image circle satisfies resolution
- Near 0.27m minimum focus handles proximity
- Native EF mount hardware interfaces cameras
The Sigma FF High-Speed Prime 7-Lens Kit with Case (E Mount, Meters, Standard Markings) delivers absolute visual cohesion across specialized telephoto setups tailored for wide full-frame mirrorless digital bodies.
- 85mm Portrait telephoto fokal optimizes compression
- Fast T1.5 open aperture handles darkness
- Broad 43.3mm image circle satisfies resolution
- Clear 0.85m minimum focus captures expressions
- Native E mount hardware interfaces cameras
The Sigma High Speed Prime Seven Lens Set Plus Case (EF Mount, Feet, Fully Luminous) delivers absolute visual cohesion across seven specialized focal configurations tailored for wide full-frame production sensors.
- 14-135mm Multi-focal setup expands creative range
- Fast T1.5 maximum aperture handles darkness
- Broad 43.3mm image circle satisfies resolution
- Near 0.27m minimum focus tracks proximity
- Native EF hardware mount interfaces rigs
The Sigma High Speed Prime Seven Lens Set Plus Case (E Mount, Feet, Fully Luminous) delivers cohesive multi-focal coverage over wide full-frame digital cinema mirrorless formats.
- 14-135mm Multi-focal setup expands production creative choices
- Fast T1.5 speed threshold resolves dark environments
- Broad 43.3mm image circle illuminates cinema sensors
- Close 0.27m focusing distance tracks near subjects
- Nine rounded iris blades generate smooth bokeh
The DZOFilm PAVO 2x Anamorphic 6-Lens Set (Neutral Coating, PL/EF Mount, Feet) provides comprehensive focal flexibility and true widescreen barrel compression across native Super35 cinema formats.
- 28-100mm Anamorphic span secures extensive visual range
- Constant 2x squeeze ratio builds widescreen aesthetics
- Bright T2.1 aperture limits exposure runtime variations
- Native Super35 format coverage prevents edge vignetting
- Robust PL mount base stabilizes camera configurations
The ARRI Signature Prime 18mm T1.8 Lens (Feet) delivers expansive deep-perspective architectural wide-angle framing while securing uniform, artifact-free resolution over native large-format digital sensors.
- 18mm Wide-angle focal geometry expands spatial perspectives
- Fast T1.8 aperture accelerates low-light shooting workflows
- Broad 46.0mm image circle satisfies resolution demands
- Close 0.35m minimum focus permits intimate framing
- Eleven rounded iris blades generate circular highlights
The Cooke Macro /i Full Frame 150mm T2.5 1:1 Prime Lens (ARRI PL) drives premium telephoto spatial compression to isolate narrative subjects over large-format sensors.
- 150mm Macro telephoto optics compress background elements
- Extreme 0.17m minimum focus handles macro reproduction
- Broad 46.3mm image circle ensures uniform illumination
- Bright T2.5 maximum speed stabilizes exposure layouts
- Nine specialized diaphragm blades produce smooth bokeh
The Canon CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens (EF Mount) provides an expansive ten-times telephoto focal range, optimizing distant subject tracking on native Super35 formats.
- 25-250mm Telephoto focal span drives massive reach
- Variable T2.95 exposure speed balances magnification scale
- Native Super35 sensor coverage isolates edge illumination
- Clear 1.2m close focus permits detailed proximity
- Eleven curved iris blades render rounded highlights
The Canon CINE-SERVO 25-250mm T2.95 Cinema Zoom Lens (PL Mount) provides an expansive ten-times telephoto focal range, optimizing distant subject tracking cleanly on native Super35 digital film formats.
- 25-250mm Telephoto focal span drives massive reach
- Variable T2.95 maximum speed aperture optimizes lighting
- Native Super35 format coverage isolates edge illumination
- Clear 1.2m close focus permits detailed proximity
- Eleven curved iris blades render rounded highlights
The Canon CINE-SERVO 15-120mm T2.95-3.9 Zoom Lens with 1.5 Extender (EF Mount) bridges wide-angle and telephoto perspectives, deploying an integrated extender across full-frame sensor configurations.
- 15-120mm Wide-to-telephoto focal geometry opens perspectives
- Integrated 1.5x optical extender shifts telephoto reach
- Variable T2.95 aperture manages lighting adjustments
- Full-frame image coverage ensures complete illumination
- Native electronic communication links stream metadata
The Canon CINE-SERVO 15-120mm T2.95-3.9 Zoom Lens with 1.5x Extender (PL Mount) anchors multi-format cinema tracking setups with expansive optical reach and comprehensive motorized gear synchronization.
- 15-120mm Versatile focal zoom structures dynamic compositions
- Built-in 1.5x optical extender shifts telephoto reach
- Full-frame optics alignment prevents peripheral vignetting
- Eleven circular iris blades create smooth highlights
- Robust ARRI PL mount locks production hardware
The Cooke 50mm T2.3 Anamorphic/i Prime Lens (PL Mount) deploys normal-perspective optics and authentic two-times widescreen compression to capture realistic geometric tracking fields on Super35 sensors.
- 50mm Anamorphic focal profile maps narrative spaces
- Constant 2x squeeze ratio builds widescreen aesthetics
- Bright T2.3 open aperture handles darkness cleanly
- Close 0.5m minimum focusing enables tight positioning
- Integrated electronic communication feeds real-time metadata
The Cooke 100mm T2.3 Anamorphic/i SF Prime Lens (PL Mount) pairs telephoto background compression with modified element coatings to generate enhanced oval streaks across Super35 digital formats.
- 100mm Special flare focal setup compresses backgrounds
- True 2x horizontal squeeze distorts background bokeh
- Fast T2.3 exposure threshold resolves dim scenes
- Short 0.9m tracking limits capture expressions cleanly
- Eleven internal diaphragm blades optimize circular highlights
The Cooke 75mm T2.3 Anamorphic/i Prime Lens (PL Mount) delivers natural telephoto portrait magnification combined with authentic two-times widescreen compression over Super35 digital sensor architectures.
- 75mm Anamorphic focal profile compresses backgrounds
- Fast T2.3 maximum exposure resolves darkness
- Constant 2x squeeze ratio builds widescreen
- Super35 sensor format coverage prevents vignetting
- Close 0.80m focusing distance frames subjects
The Cooke 135mm T2.3 Anamorphic/i Prime Lens (PL Mount) deploys advanced high-magnification telephoto spatial compression to flatten backgrounds and pull distant narrative subjects closer across Super35 sensor setups.
- 135mm Telephoto focal setup compresses backgrounds
- Bright T2.3 exposure speed handles darkness
- Constant 2x horizontal squeeze distorts bokeh
- Clear 1.2m close tracking boundaries isolate details
- Native /i data communication streams metadata
The Cooke 25mm T2.3 Anamorphic/i Prime Lens (PL Mount) delivers expansive cinematic wide-angle framing combined with signature organic widescreen rendering optimized for native Super35 cinematography layouts.
- 25mm Wide-angle focal geometry opens perspective
- Integrated 2x anamorphic squeeze compresses backgrounds
- Fast T2.3 open aperture controls depth
- Short 0.5m minimum focus captures proximity
- Eleven internal iris blades yield bokeh
The Cooke 32mm T2.3 Anamorphic/i Prime Lens (PL Mount) structures wide-angle narrative character staging by balancing highly natural spatial geometric tracking with absolute edge illumination on Super35 sensors.
- 32mm Wide-angle focal architecture stabilizes framing
- Bright T2.3 aperture accelerates dark capture
- Constant 2x squeeze ratio builds widescreen
- Close 0.5m tracking limits allow proximity
- Built-in electronic linkages stream real-time metadata






















