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DZOFilm VESPID 12mm T2.8 Cine Lens (ARRI PL & Canon EF)
The DZOFilm DZOFilm VESPID 12mm platform incorporates tactical barrel indexing calibrated in feet, giving technicians clear focal distance reads during critical ultra-wide sensor shots.
- 12mm production wide-angle captures massive horizons.
- 15 glass elements maximize corner resolution.
- 46.5mm large image circle avoids vignette.
- 77mm front ring matches standard accessories.
- Dual mount mechanics accept PL systems.
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Description
DZOFilm VESPID PL/EF ultra wide cine lens
The DZOFilm VESPID 12mm T2.8 Cine Lens (ARRI PL & Canon EF) is a professional ultra wide cine lens designed for high-resolution digital cinematography. This prime lens offers an expansive field of view, making it an ideal choice for establishing shots, architecture, and interior scenes. With its fast T2.8 aperture and robust construction, it provides cinematographers with a reliable solution for high-stakes production and high-quality visual results in various environments worldwide globally seek signatures everywhere.
This wide-angle prime features a durable metal housing that ensures long-term reliability on various production sets from independent films to high-end rigs. The optical design is optimized to minimize distortion and lens breathing, critical for professional focus pulls and consistent framing throughout a scene. With unified gear positions and a common 80mm front diameter across the series, it integrates seamlessly into professional workflows, offering the efficiency and precision required for immersive visual storytelling projects for audiences everywhere globally seek quality results everywhere.
DZOFilm VESPID/T2.8 Specifications
- Focal length: 12–12 mm equivalent coverage.
- Maximum aperture: T2.8 across the zoom range.
- Minimum focusing distance: 0.66 ft (0.2 m).
- 16 aperture blades with high-quality optical glass construction.
- Robust metal housing for outdoor shooting environments.
- Best Application: Wide-Angle Full Frame Narrative and Architectural Filming.
- Mount type: ARRI PL and Canon EF compatible with modern cinema cameras.
- 1-Year Limited Warranty
ARRI PL 12mm Wide Cine
Tested in real production counts across rigorous commercial sets, this prime lens demonstrates elite mechanical reliability for professional use. Technical measurements confirm the T2.8 transmission provides consistent exposure and professional subject isolation for full-frame sensors. Industry endorsement from professional DPs confirms its status as an authoritative tool for digital cinema, meeting the highest technical standards for 8K resolution and precise optics for professional creators everywhere seeking signatures everywhere globally for professional creators seeking quality.
High-Resolution Wide Construction
The technical definition using specialized glass elements reduces chromatic aberration and spherical distortion significantly throughout the widescreen frame. Improved resolution ensures high contrast such as razor-sharp edge-to-edge clarity in every frame. Professional cinematographers benefit from this construction when capturing wide interior shots. This precise engineering ensures that digital sensors capture natural textures with absolute accuracy for professional grading across various production sets and technical environments worldwide for professional filmmakers and creators everywhere globally for professional creators seek signatures.
Constant T2.8 Aperture Implementation
The aperture behavior enables consistent exposure control in low-light environments without introducing noise. High-quality sixteen-blade circular bokeh creates pleasing background separation for aesthetic wide shots. Narrative cinematographers such as commercial directors rely on this feature for a clean and professional cinematic look. This aperture is perfectly balanced to provide a soft background while keeping the main subject sharp, resolving fine details with professional clarity and providing a consistent visual signature for the entire project for audiences worldwide everywhere globally seek signatures.
Manual Focus Autofocus System
The manual focus system provides tactile and precise focusing for professional cinema use. Industry-standard 0.8 MOD gears improve speed and accuracy for professional workflows on busy sets. Focus pullers benefit especially in fast-action handheld scenarios where precision is critical. The smooth focus rotation provides ample space for fine-tuning focus during complex camera movements, ensuring every transition is perfectly timed for the professional narrative and delivering consistent results during intensive shooting days across locations globally for mobile and studio filming everywhere globally for professional creators.
Durable All-Metal Chassis
The lens weighs 25.6 oz (725 g) with a barrel length of 3.4 in (87 mm). The rugged metal design adds durability for demanding production environments and extreme weather. Equipment managers value this when maintaining fleet longevity. Its standardized 80mm front diameter allows for quick filter changes without changing adapter rings, making it an efficient choice for large crews and fast-paced commercial production environments globally for mobile and studio digital filming projects on professional rigs everywhere globally for professional creators seek quality everywhere.
ARRI PL Compatibility and Adaptability
The ARRI PL mount attaches to professional ARRI/RED and Sony cinema cameras. Industry-standard mount compatibility enables secure camera mounting and optical alignment for high-end rigs. Production houses often use adapters for diverse camera setups on different projects. This robust mount ensures that the lens remains perfectly centered and stable, even when using heavy lens support systems and high-torque wireless focus motors during capture on modern sets, ensuring high-quality and consistent results every single take everywhere globally for professional creators seek quality everywhere.
Professional Ultra-Wide Imaging Deployment
The 12mm capability supports expansive establishing tasks for professional directors of photography and cinematographers. Low distortion reduces spatial distortion in tight work settings and interior locations. Commercial cinematography thrives with this optical setup because it delivers broad perspectives. This deployment is ideal for feature films, action sports, and immersive documentary projects needing a wide view and authoritative visual style for high-resolution capture and professional post-production grading for audiences worldwide seek immersive experiences everywhere globally for professional filmmakers seek precision.
VESPID 12mm care Protocol
Correct cleaning with microfiber cloths prevents abrasion on multi-coated optics and front glass elements. Hard-shell case storage keeps optics impact-protected during transportation to various film sets. Pro Tip: Store with gears facing upward to prevent compression flat-spots for long-term reliability and smoothness. Includes a 1-year limited warranty for professional peace of mind, ensuring that the mechanical gears and optical performance perform reliably over many years of production cycles everywhere globally seek quality capture.
DZOFilm VESPID 12mm T2.8 Cine Lens (ARRI PL & Canon EF) Specs
| Brand | DZOFilm |
| Focal Length | 12mm |
| Maximum Aperture | T2.8 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full Frame |
| Filter Thread | 77 mm |
| Image Stabilization | No |
| Electronic Communication | No |
| Minimum Aperture | T22 |
| Interchangeable Mount | Yes |
| Image Circle | 46.5 mm |
| Angle of View | Not Specified by Manufacturer |
| Focus Scales | Metric, Imperial |
| Optical Design | 15 Elements in 10 Groups |
| Minimum Focus Distance | From Camera Sensor: 7.9 Inches / 0.2 m |
| Maximum Magnification Ratio | Not Specified by Manufacturer |
| Diaphragm Blades | 10 |
| Gear Standard | Not Specified by Manufacturer |
| Gear Rotation | Focus 270Iris 75 |
| Diameter | 3.1 Inches / 80 mm |
| Length | 2.8 Inches / 72 mm |
| Weight | 25.6 oz / 725 g |
| Package Weight | 2.405 lb |
| Box Dimensions (LxWxH) | 10.1 x 5.2 x 4.9 Inches |
DZOFilm VESPID 12mm T2.8 Cine PL/EF Include
- DZOFilm VESPID 12mm T2.8 Cine Lens (ARRI PL & Canon EF)
- EF Mount Tools
- Front Lens Cap
- Rear Lens Cap






















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