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Showing 3301–3320 of 3332 resultsSorted by latest
The Nikon NIKKOR Z 135mm f/1.8 S Plena Lens establishes a premium standard for peripheral brightness and edge-to-edge rendering, providing portrait houses with exceptional out-of-focus bokeh isolation.
- True 135mm focal length flatters close compositions.
- Sophisticated 16 elements in 14 groups layout.
- Large 82mm front filter thread controls flare.
- Autofocus tracking functions continuously across depth shifts.
- Dedicated Nikon Z mount architecture fits modern bodies.
The ultra-slim Canon RF 16mm f/2.8 STM Lens provides street photography crews with an exceptionally lightweight pancake profile optimized natively for full-frame mirrorless sensors.
- Native 16mm metric frames broad environments.
- Simple nine element architecture controls aberrations.
- Bright f/2.8 speed handles night snapshotting.
- Tactile stepping autofocus motor accelerates target locking.
- Slim 43mm front threads secure glass filters.
The Sony FE 70-200mm f/2.8 GM OSS II Lens supplies fast-action sports networks with lightweight telephoto compression alongside crucial synchronized stabilization tracking on modern mirrorless platforms.
- Autofocus XD linear motors track shifts fluidly.
- Sophisticated 17 elements in 14 groups.
- Bright f/2.8 constant maximum aperture excels.
- Secure Sony E mechanical lens fit anchors.
- Versatile 70 to 200mm range frames quickly.
The constant-aperture Canon RF 28-70mm f/2 L USM Lens equips demanding portrait and event production agencies with an ultra-bright, heavy-duty professional zoom built for Canon RF mounts.
- Versatile 28-70mm focal width broadens compositions.
- Nineteen complex optics eliminate severe linear distortion.
- Constant f/2 properties maintain uniform scene exposure.
- Ultrasonic autofocus drive mechanisms lock targets cleanly.
- Front 95mm filter rings lock standard glass.
The Sony FE 24-70mm f/2.8 GM II Lens (Sony E) equips commercial production houses with an optimized standard zoom workflow, ensuring zero-compromise edge acutance across fast-paced cinematic multi-camera rigs.
- Versatile 24 to 70mm path handles framing shifts.
- Bright f/2.8 constant maximum aperture excels.
- Secure Sony E mechanical lens fit seats flawlessly.
- Advanced 20 elements in 15 groups geometry.
- Autofocus XD linear actuators track moving elements silently.
The Sony FE 16-35mm f/2.8 GM II Lens (Sony E) equips fast-moving commercial gimbal operators with an updated, lightweight full-frame wide zoom engineered for supreme edge-to-edge tracking sharpness.
- Dynamic 16 to 35mm range frames architecture.
- Autofocus XD linear drives track targets flawlessly.
- Bright f/2.8 constant maximum aperture excels.
- Secure Sony E mechanical lens fit anchors.
- Pristine 15 elements in 12 groups.
The Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Sony E optimizes mobile documentary setups, giving run-and-gun media teams a continuous fast-aperture standard zoom in one lightweight build.
- Versatile 18 to 50mm zoom covers essential fields.
- Constant f/2.8 aperture standardizes continuous exposure levels.
- Rigid Sony E mechanical lens fit anchors securely.
- Advanced 13 elements in 10 groups design.
- Autofocus core mechanics respond to fast movement.
The constant-aperture Canon RF 70-200mm f/2.8 L IS USM Lens supplies commercial event media teams with a compact, stabilized telephoto workhorse zoom optimized for full-frame mirrorless architectures.
- Seventy to 200mm zoom isolates details.
- Seventeen internal optics preserve sharp contrast.
- Constant f/2.8 aperture ensures flexible depth.
- Dual Nano USM autofocus speeds up acquisitions.
- Front 77mm filter size locks professional glass.
The Nikon NIKKOR Z 180-600mm f/5.6-6.3 VR Lens (Nikon Z) provides an extreme full-frame super-telephoto zoom reach integrated with vibration reduction, engineered specifically to lock onto distant wildlife and sports assets seamlessly.
- Dynamic 180-600mm focal length handles distance.
- Complex 25 elements in 17 groups design.
- Large 95mm front filter thread controls flare.
- High-speed autofocus system tracks moving components.
- Native Nikon Z mount connection guarantees playlessness.
The innovative Canon RF 24-105mm f/2.8 L IS USM Z Lens supplies multi-purpose cinema and event crews with a stabilized, constant-aperture standard zoom native to mirrorless setups.
- Standard 24-105mm parameters cover diverse scenes.
- Complex twenty-three element optics ensure resolving sharpness.
- Constant f/2.8 maximum aperture facilitates cinematic rendering.
- Dual Nano USM autofocus systems drive rapid acquisitions.
- Front 82mm filter size accepts standard glass.
The ultra-lightweight Canon RF 50mm f/1.8 STM Lens provides street journalism crews with a highly affordable, compact standard prime engineered natively for portable mirrorless setups.
- Versatile 50mm metric handles daily snapshotting.
- Simple seven element layout optimizes optical paths.
- Aperture variables scale to f/1.8 cleanly.
- Tactile stepping autofocus motor accelerates target locking.
- Slim 43mm front threads secure glass filters.
The hyper-telephoto Canon RF 200-800mm f/6.3-9 IS USM Lens equips specialized wildlife media teams with incredible, stabilized long-range magnification built specifically for mirrorless platforms.
- Massive 800mm maximum range isolates far wildlife.
- Seventeen advanced optics eliminate bright color fringing.
- Variable aperture parameters keep configurations compact.
- Nano USM tracking mechanisms secure rapid acquisitions.
- Front 95mm filter size fits custom glass.
The stabilized Canon RF 24-70mm f/2.8 L IS USM Lens supplies commercial event media teams with an ultra-versatile, fast standard workhorse zoom optimized for full-frame mirrorless architectures.
- Standard 24-70mm range covers diverse scenes.
- Twenty-one advanced optics ensure resolving sharpness.
- Constant f/2.8 maximum aperture facilitates shallow depth.
- Nano USM autofocus drive mechanism speeds up acquisitions.
- Front 82mm filter size accepts standard glass.
The L-series Canon RF 10-20mm f/4 L IS STM Lens equips commercial architectural media agencies with a stabilized, constant-aperture ultra-wide zoom native to full-frame mirrorless sensors.
- Extreme 10-20mm width records broad interiors.
- Sixteen complex optics eliminate severe linear distortion.
- Constant f/4 properties maintain uniform scene exposure.
- Advanced autofocus drive ensures reliable tracking repeatability.
- Built-in rear holder secures custom gelatin filters.
The Nikon NIKKOR Z 600mm f/6.3 VR S Lens (Nikon Z) delivers an incredibly lightweight, full-frame super-telephoto reach optimized for fast-paced tracking during outdoor sports and wildlife assignments.
- True 600mm focal length handles deep compression.
- Complex 21 elements in 14 groups design.
- Native Nikon Z mount connection guarantees playlessness.
- Large 95mm front filter thread controls flare.
- High-speed autofocus system tracks moving components.
The Cambo WTSA-832 Tilt-Swing Lens Panel provides commercial advertising studios and theatrical media pipelines with an independent selective-focus component built for drop-in tracking systems.
- The wide 32mm focal length captures expanses.
- The fixed f/4 maximum aperture regulates exposure.
- The large 90mm image circle accommodates movements.
- The massive 107-degree image angle spans vistas.
- The large 86mm front thread accepts filtration.
The Cambo WRA-2023 Lens Panel provides commercial advertising studios and theatrical media pipelines with an independent selective-focus component built for drop-in tracking systems.
- The ultra-wide 23mm focal length frames architecture.
- The steady f/5.6 aperture stabilizes lighting conditions.
- The tailored 70mm image circle matches sensors.
- The broad 112-degree angle captures ultra-wide shots.
- The front 72mm filter diameter matches studio accessories.
The Cambo WRA-2090 Lens Panel provides commercial advertising studios and theatrical media pipelines with an independent selective-focus component built for drop-in tracking systems.
- The classic 90mm focal length flattens proportions.
- The fixed f/5.6 aperture provides reliable illumination.
- The vast 120mm image circle permits shifts.
- The focused 67-degree field limits extraneous distortion.
- The standard 72mm front filter ring accommodates filtration.
The Cambo WTSA-850 Tilt-Swing Lens Panel provides commercial advertising studios and theatrical media pipelines with an independent selective-focus component built for drop-in tracking systems.
- The universal 50mm focal length structures perspective.
- The rapid f/4 maximum aperture manage illumination.
- The wide 90mm image circle supports tracking.
- The versatile 84-degree angle coordinates layouts cleanly.
- The front 67mm filter thread accepts accessories.
The Cambo WRA-5105 Wide-RS Lenspanel provides commercial advertising studios and theatrical media pipelines with an independent selective-focus component built for drop-in tracking systems.
- The telephoto 105mm macro length isolates details.
- The variable f/5.6 aperture modulates illumination values.
- The precise 82mm image circle isolates sensors.
- The eight-element optical design protects core contrast.
- The hefty 590-gram barrel balances heavy rigs.